At Deathscapes: Histories of Photography and Contemporary Photographic Practices (2024). I revisited earlier work Lines of Resistance and presented this alongside UNLAND. Both these bodies of work are sited at militarised zones and areas of surveillance infrastructure.
I discussed arts research methods, image production and representation. These works included examples of digital sketching, looking analysing and testing the edges of looking, the hierarchies of seeing and the conflicted nature of spaces of crisis. I discussed the application of imaging technologies with a militarised antecedence and how this shifts the encounter with images from sites of conflict. I am interested in the ways in which flora and fauna transcend boundaries, but also the bi-communal infrastructure like power and water systems, as well as trade or farming.
